“There is no other camera that can really get into some of the tight spots that the Canon 5D Mark II can, and with the ease that it can,” he added. “We mounted the Canon cameras on all four sides of the vehicle to get background plates for Tony Stark driving on the race track,” Libatique explained, noting that the small size of the 5D Mark II Digital SLRs enabled his crew to obtain more coverage than would have been possible with an equal number of (larger and heavier) film cameras. The plates were captured using a motion-picture camera and several 5D Mark II Digital SLRs mounted on a chase vehicle that kept pace with the race cars as they sped through Monaco’s winding streets. Libatique brought his film crew to Monaco for authenticity in shooting their background plates, which were later integrated with live-action footage of racing cars shot in Hollywood. One was to capture moving background plates on location in the famous European racing city another was to provide crash-cam footage amid the scene’s high-speed auto race. Canon 5D Mark II Digital SLRs served multiple roles in photographing this important sequence. His comment refers to a scene in Iron Man 2, in which the titular character’s alter ego Tony Stark drives a race car in the Historic Monaco Grand Prix and is attacked by super-villain Ivan Vanko. “Without a doubt, we couldn’t have gotten the shots any other way,” Libatique says. Libatique, an accomplished member of the American Society of Cinematographers, explained that the Canon cameras were indispensable for capturing crucial images in a key action sequence. Among the many advanced filmmaking tools recently used by cinematographer Matthew Libatique to shoot the blockbuster hit Iron Man 2 were Canon EOS 5D Mark II Digital SLRs. Movies featuring comic-book superheroes are among the most popular films today, with the spectacular exploits of these colorful characters rendered more convincingly than ever thanks to today’s digital imaging technologies.
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